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> work in public collections (e.g. Tate, British Museum, London Transport Museum) and many private collections |
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> art shows (exhibitions and other events)
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2023 |
Doomscroll - group show, curated by Phony for Gallery Dodo, Phoenix Art Space, Brighton |
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2021 |
This Not An Art Show: On Mixed Forms of Visual Culture, Handel Street Projects, London - solo show |
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2018 |
Proposal for a New Awning at The Sweetshop, Lewes |
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2018 |
-Paintings 1, 2 & 3 shown in The Sussex Open, Towner Art Gallery, Eastbourne |
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2017 |
Every Shelter on the 123 shown in The Sussex Open, Towner Art Gallery, Eastbourne |
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2016 |
High Art Light shown by the Multiple Store at The Koppel Project Archive, London |
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2016 |
Every Shelter on the 123 artist's bookwork shown in Artwave, Rodmell, East Sussex |
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2015 |
High Art Light shown by the Multiple Store at 1 Canada Square, Canary Wharf, London |
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2013 |
High Art Light shown by the Multiple Store at The Eagle Gallery |
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2012 -2016 |
High Art Light shown by the Multiple Store at a number of art fairs including the London Art Fair and Multiplied at Christies |
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2012 |
Multiple Multiples shown at Multiple Market group show curated by Handel Street Projects, London WC1 |
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2011 |
High Art Light shown by the Multiple Store at Multiplied Art Fair Christies, London |
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2010 |
Modern Masters shown at SuperFarmers'Market, group show curated by Handel Street Projects, London WC1 |
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2010 |
with Lucy Heyward, guest curated SuperFarmers'Market, London WC1 |
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2009 |
An Artist's Writing as Aesthetic Form presented at The Art of Research exhibition and conference, Helsinki |
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2009 |
Toast a performative lecture introducing Aleksandra Mir's How Not to Cook commissioned by Collective Gallery, Edinburgh |
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2009 |
Devised and presented The Art Lectures a series of events exploring the lecture as a form of art, Sallis Benny Theatre, Brighton, with contributions from Fedja Klikovac, Sally O'Reilly and Matthew Rowe |
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2009 |
Art and the Value of Fictional Writing a performative lectures as part of The Art Lectures |
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2008 |
High Art Light shown at Farmers' Market group show curated by Handel Street Projects, London W1 |
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2008 |
Paper shown at The Art of Research: Research Narratives exhibition and conference, Chelsea College of Art & Design, London |
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2008 |
Lost Artist for For Those Killed in Ambush group show, Hold and Freight, London, E1 |
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Me, Myself and I: Not Her a performative talk commissioned for Kelly Large’s Me, Myself and I artist’s residency, Walsall Gallery
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2005 |
The Blooming Commons at Open Congress Tate Britain |
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2005 |
Exits Exist in Would, Silence, The Apology group show, 35a Gallery, Brighton |
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What work does the work of art do? A lecture-demonstration for What work does the work of art do? (2) A symposium with Art & Language, Guildhall London
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2005 |
Bloomsbury Blooms at St George's Chapel of Rest London, two-person show with Lucy Heyward |
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Stall commissioned by the Financial Services Authority for FSA foyer, Canary Wharf, London
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2003-4 |
Covers (Series C) in The Book Show at The Nunnery, London and Wordsworth Trust, Grassmere, Lake District |
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Covers (Series C) a series of posters for London Underground’s Platform for Art programme, Piccadilly Circus Station concourse
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2002 |
Unsorted solo show at e1 gallery London with essay by Rebecca Fortnum
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(Dis)appearing Cubes in Group Show e1 gallery, London |
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2002 |
The Faust Supplement bookwork, supported by an AHRB award |
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2000 |
Mary Anne Francis: Group Show solo show at Beaconsfield London |
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2000 |
Poolswin in 11th Mostyn Open, Oriel Mostyn, Wales |
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1999 |
Doublecoded in Passion group show, Gasworks, London |
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1998 |
The House in the Lumber Room in mary, mary quite contrary at Gasworks, London, two person show with Mary Lou Pavlovic |
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1997 |
Special Agent (1) in Mavis Goes Shopping site-specific artworks by various artists, Camden Town environs, London |
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1996 |
Covers (Series A) in The Whitechapel Open, Whitechapel Art Gallery, London |
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1995 |
Brick Lane with Siraj Izhar / Strike arts organisation,
supported by a London Arts Board Award
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